
This week in class we talked about Renoir, one of the most famous impressionist painters in the history of art. He was in many ways the foil of Degas, another impressionist painting. Renoir had a very optimistic view of life. He believed the world was full of happiness and beauty. Women, to him were the epitome of beauty. Unlike Degas, who pictured women as specific individuals, Renoir saw women as a symbol. Every woman he painted was only a variation of a type that he always painted with few slight variations. He thought women were so beautiful, in fact, that everything else--men, animals, nature--were an accessory to women and their beauty.
This is often how women are seen today: as beautiful but as a symbol or object. Women are prevalent in the entertainment industry. However, they are often just seen as pretty things that make a music video or show more alluring to audiences because they are beautiful. Women are not chosen for spots such as these based on their individuality.
Another part of Renoir was that he went through 3 stages in his art. When he started, he painted in the classical style with an emphasis on line. His role models were Ingres and

Watteau and so his painting was focused neoclassical ideals and frivolity. Later, he met Monet and the impressionists. They had a profound impact on his painting. He was impressed by their rejection of convention and use of freedom of expression. He soon started to paint in the impressionist style. After a while, Renoir thought that he was forgetting how to draw because of the sketch-like method of the impressionists. In his final stage, Renoir made a return to the classical. He kept some of the impressionism in the style of his background but began to put more emphasis on line.
These stages reminded me of the stages that people go through in life. People start out doing things and acting as their parents told them. This would be similar to the classical style which was accepted by the Academy, the "parents" of art. Later, they enter the time in their lives when they want to rebel. This teen stage of rebellion can be compared to Renoir's impressionist stage in which they rejected the convention of the classical style. Finally, people get tired of the rebellion and find a medium in which they return to the calmer time in their lives. This is Renoir's attempt to return to the classical.


















